An American Writer's Thoughts on Japanese Animation

Category: Anime Reviews

I Did Not Sign Up For This Feels Trip – Rascal Does Not Dream of Bunny Girl Senpai Spoiler Review

“Rascal Does Not Dream of Bunny Girl Senpai”… The very title conjures a certain set of expectations, doesn’t it? Something seems very goofy about this. The perspective deepens when you hear the pitch, the show being about a more-or-less ordinary High School boy, Sakuta, helping a series of girls deal with strange phenomena caused by something called “Puberty Syndrome”. You can even start to watch the first episode, and it looks and feels a good deal like The Melancholy of Haruhi Suzumiya, especially when you have the main character being fairly deadpan.

That sounds really plausible. All together, you’re being told, more or less, that you’re in for a Haruhi-esque Harem/Comedy with a “zany supernatural elements in the real world” vibe. If that’s what you’re being told, though, you are being lied to.

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A Scare for the Kids – Ghost Stories Spoiler Review

I don’t tend to review a lot of anime made primarily for the younger bracket. Most of what I look at is at least targeted towards teens, if not Adults. So in some senses I have to really switch gears to look at something that’s clearly intended for more the grade school bracket, such as Ghost Stories here.

All the same, there are some basic fundamentals of storytelling, so I don’t feel I’m really at a loss to evaluate the topic. Especially not when the topic is what it is with Ghost Stories, hooking in to several, well, ghost stories (some of which even an invested westerner such as myself might be familiar with from other sources) to provide a horror-genre show for kids. Growing up in the West, I had things like “The Thirteen Ghosts of Scooby-Doo”, and there’s a degree to which this is clearly cut from the same cloth.

However, it wouldn’t be entirely fair to judge a show for kids, again especially a horror show for kids, by the same standards used to grade works that are more mature and don’t have fetters placed on them by their audience alone. Because of that, I’ll be once again busting out the Pass-Fail scale for Ghost Stories, with the understanding that it should really be looked at for what it could bring to a younger audience, and that there might not be as much there for adults.

It is important to note, though: I watched this show, as I always try to, with subtitles rather than dubbed.  The Ghost Stories dub is infamously unfaithful and according to some reports quite funny on its own, but I’m dealing here with the more conventional subtitled version.

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Wherever You May Roam – Wandering Witch: The Journey of Elaina Spoiler Review

So, this is a show that seemed to be custom tailored just for me. On one side, I love anime witches. Call it a personal appeal but making the robe-and-pointy-hat combo look goodis a plus, along with the usual combo of impressive magic and decent cunning. On the other side, I typically enjoy travelogues, stories that focus on a person’s journey through a number of other engaging scenarios. So, a show about an anime witch going on a journey through a fantasy world encountering a variety of wonders and threats? This should be really good, or at least really appealing.

Of course, looking at things with a critical eye, I can’t just let a show get away on a couple of themes alone; this has to be fairly considered for what it achieves, not just want the pitch is.

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How To Not Write Mysteries, Twists, or Characters – Occult Academy Spoiler Review

“Picture of a man, a weary dreamer in a mundane world, and thus like many steeped in occult matters and fantasy diversions. One harmless enough after all, indulging in the fictions of alien visitors or out-of-place artifacts, the coy suggestions of might-have-been believed fervently by others and made believable by careful atmosphere and storytelling. But in the search for horror fiction and urban fantasies, such a man is likely to encounter horror of a very different kind, in the form of a show that purports to trade in such favored topics but instead trades in other things, a profusion of cheap twists supported by obnoxious characters and forced scenes. Because, at this Occult Academy, the subject we’ll be teaching is not about monsters or spirits but about writing, and the worst is about to be on display.”

So, Rod Serling style narration aside, let’s talk once again about constructive issues in shows, because there are going to be a ton of them to explore in Occult Academy. Many we’ll have to get to as we get to them in the summary of the plot, but let’s lay out the basics here at the start. For one, we’re going to have to talk about tone and atmosphere. We’re also going to need to talk about character growth, twists, and when a writer should let something go.

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Rushed Testament – A Certain Magical Index III Spoiler Review

Now we come to the (chronologically) last entry in Academy City’s anime run. I left this one for last not because of its place in the timeline, though, but rather because it has some critical differences with its predecessors, and those show in a big way.

On the surface, Index III shares the structure of I and II. It’s a two-cour show and can be fairly easily broken down into a set of arcs, each of which deals with a new crisis, to a greater or lesser degree. However, it’s adapted from a good deal more source material than the previous seasons, and it’s done by compression.

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Antihero Testament – A Certain Scientific Accelerator Spoiler Review

A Certain Scientific Accelerator is, to an extent, the black sheep of the shows set in Academy City. It’s only 12 episodes, and it consists of only a single arc. The character designs are a little different, and the tone is a good deal darker – not that more bad things happen here (Index and Railgun have their fair share of losses), but the emotions evoked are typically more bleak. What’s more, A Certain Scientific Accelerator stars, of course, Accelerator. And Accelerator is a character who, after his first encounter with Last Order, still qualifies as an antihero at best, compared to Railgun and especially Toma who are fairly straightforward heroic characters.

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Awesome Testament – A Certain Scientific Railgun (Seasons 1-3) Spoiler Review

So, A Certain Magical Index is the kind of series you don’t expect a consensus on. Some people are going to hate that it’s the type of show you can turn your brain off for, others will love it. Some people are going to hate how much effort it goes through to explain every spell and power, others will enjoy the technobabble and mythical references. Some will love the main character as a comedy victim and appreciate his ability to be a badass despite also being kind of a moron, others will despise how he always gets into contrived situations and never understands anything. One thing that most people seem to agree on, though, is this: Mikoto Misaka, aka Railgun? She was pretty cool. Not only is she a spunky, sporty, tsundere middle-schooler with top-tier power (making her fun), she’s also got one of the best and deepest emotional arcs in all of Index with the Sisters arc. And, for her well-deserved popularity, she was granted her own spinoff: A Certain Scientific Railgun.

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Academy City Testament – A Certain Magical Index (Seasons 1 & 2) Spoiler Review

Well, it’s back-to-school time again, and this year we’re going to be looking at one of the biggest schools in Anime, Academy City.

In terms of what’s got shows, Academy City is the setting for three separate shows with seven seasons of material between them: three seasons of A Certain Magical Index, three seasons of A Certain Scientific Railgun, and one season of A Certain Scientific Accelerator. The series as a whole is typically referred to either as RailDex (after Railgun and Index) or Toaru (after the common word translated as “A Certain” in the titles), but it’s also easy to think of them by their common setting.

So, what is the setting and, for A Certain Magical Index, what is the story?

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At the Bottom of the Rabbit Hole – Qualidea Code Spoiler Review

What makes a show good? There are a lot of potential answers to that. Some shows are good because of their casts, groups of characters with loads of humanity who you love to watch. Others are good because of their plot, delivering an engaging narrative that you want to see through to its conclusion. Others can be good because of their visuals, especially action and choreography. Some even reach quality more for their worldbuilding than anything else.

But, one thing people attempting to make a good show sometimes miss is that while a show can be good for any of these reasons, it won’t be good if that one reason is the only thing it has going for it. The other important elements have to at least hit some level of basic competence or everything will break down.

Enter Qualidea Code, a show that tries pretty hard to build something good with its twists and scenario, but which does it on a foundation of sand thanks to utterly lacking many other points along the way.

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