An American Writer's Thoughts on Japanese Animation

Magical Girl Raising Project Audio Commentary, Part 4 (Final) & Mini Review

This show was terrible. One of the worst, and that despite having a redeeming factor in its direction, choreography, and visual design. For those who haven’t been following along, I’ll give a review after the commentary tracks and the cut.

So, a post-mortem on Magical Girl Raising Project. In twelve episodes, they killed fourteen Magical Girls in a colossal death game and never generated any interest or investment. All their pathetic little manipulative tricks fell utterly flat because they didn’t understand how, when, or where to deploy them. Aspects came out too early or too late, or were too transparent in their artificiality. When it comes to the writing, it’s godawful in terms of its structure even if the scenes might have been salvageable in isolation from one another.

In an odd move for me, I actually ended up looking up some of the staff, because it was shocking just how much of a disparity there was in the skill shown in the show’s conception and scripting as opposed to the admirable efforts of its blocking, lighting, and visuals, and discovered that the main writer had credits for Elfen Lied and Familiar of Zero while the director had mostly single-episode work, but for shows including Robotics;Notes and Eureka Seven. Anime productions are huge undertakings involving a lot of creators, so it’s usually not possible to really pin down the source of any particular failure (if there even is one), but this time at least I think I know who to blame.

If there’s a single problem with the show that needs to be discussed, its the cold uselessness of the majority of the characters and scenarios. Cranberry, who started out as sort of our main villain, only really steps onto stage once (to kill La Pucelle) and then otherwise lurks until she dies like a chump. Hardgore Alice, Snow White’s second faithful protector, says nothing interesting, does nothing interesting, and expires without having made an impact despite a very impressive buildup. Sister Nana, who was set up as something of the voice of reason, talks with people who already agreed with her and doesn’t ever bring any of them together, gets attacked, and offs herself to the tune of no one else even really noticing or caring.

And then there’s Snow White. A chain gang consisting of Yukiteru Amano, Shinji Ikari, and Season One Yuji Sakai – blindfolded, gagged, and with their hands tied behind their backs – would accomplish more and complain less than Snow White. This girl does nothing, literally nothing, that’s interesting or engaging at any point. Fav even kind of makes fun of it by commenting repeatedly on how she’s “won” the death game without getting her hands dirty. It’s like they made Wako, from Star Driver, the main character of an entire show after some sort of talent vampire sucked out what little likability, personality, and interest that she had to begin with. In the entire show there are basically two things she even remotely contributes to: early on, mugging her for Magical Candies allows Swim-Swim to assassinate Ruler, and in the final episode a magic lucky rabbit’s foot she’s carrying enables Ripple to cling to life and actually get something done.

In both cases where Snow White contributes to the ongoing plot, she does so as a passive object. She’s a source of Magical Candies for Swim-Swim to use, and she’s a delivery mechanism for a trinket that wouldn’t even necessarily be necessary to allow Ripple to pull through. In neither case does she have any agency or will in the events, they just sort of happen around her. This is especially pathetic in the last episode: the resolve for the scene is to pick up Swim-Swim’s magic weapon (lying on the ground) and use it to shatter Fav’s otherwise indestructible terminal. Snow White throws the terminal around and hits it with rocks and her fists in impotent rage until Ripple, believed dead, revives thanks to the Rabbit’s Foot, picks up the weapon, and enters the screen already carrying the necessary item and intending to take it to Fav. Snow white cheers her on, but was completely unnecessary. Aggressively unnecessary, even, since she could have trivially picked up Swim-Swim’s weapon, something she should have an inkling is a magic weapon, and done it herself when the first rock failed. Ripple only had to come back to life and finish it because Snow White is pathologically incapable of accomplishing anything for no reason.

And you could say, okay, if she doesn’t accomplish anything that might be fine if the investment in the show is in Snow White’s terror and the threats to her survival. But Magical Girl Raising Project isn’t her show entirely. She’s absolutely the focal lead, but it is more of an ensemble (a bitterly overtaxed ensemble with too little time to know too many girls) leaving Snow White out of focus all too often. I feel like you could write her out entirely and despite her vast screen time very little would change. Nemurin, who dies in the second episode explicitly having done just about nothing, had more of an impact because it’s Nemurin’s words that in part convince little Swim-Swim to become the murderous nightmare she becomes.

As such, no investment is built in Snow White. She’s too much out of focus and off camera, and we don’t care whether she lives or dies any more than we care about any of the other girls like Ripple.

Swim-Swim, on the other hand, while a functional character and someone who gets stuff done, is hard to take seriously as our mastermind villain because she’s a grade-school kid. A grade-school kid with a warped, demented psyche and an eager willingness to kill, but still a kid with a flat affect and limited ability to really scheme long term. She’s a decent threat to the life and limb of others, but isn’t a substitute for the role that Cranberry should have been filling and that Fav kind of tried to fill.

I’ve rarely been so disappointed, even offended by a show. Appropriately enough considering the staff credits, but Elfen Lied is really one of the only other times I’ve despised a show this much. Magical Girl Raising Project is an abject failure. I first heard about it existing because they did a collab with the TCG Caster Chronicles, but I think I care more about the Magical Girls Caster Chronicles invented who have one line of flavor text to define their personalities than I do about Snow White or most of the other girls in this show. Hell, I’m fairly certain I could write a better Magical Girl story than Magical Girl Raising Project and I’ve half a mind to do so just to prove that it’s not that bloody hard.

The show gets a hard Fail. If you watched it to synch with the commentaries, I’m sorry. I’m just sorry.