An American Writer's Thoughts on Japanese Animation

Month: May 2020

Sacrifice, Despair, and Slice of Life – Yuki Yuna is a Hero Spoiler Review

The modern era of Magical Girl is still, essentially, “Post-Madoka” – there hasn’t been another game changer like Madoka Magica or Sailor Moon since, and so what remains is to analyze the themes and tropes of the genre as they exist. After Madoka hit, what did the Magical Girl genre do with it?

Some shows didn’t change a whole lot. It’s possible to get Magical Girl shows that reach to one side or the other of Madoka in terms of what influences they express. There are some harder to escape traits. Since Sailor Moon, the Magical Girl character herself has been more defined as a type of warrior, and since Madoka the image of what a Magical Girl is has more often included the idea that her powers are a burden, not a gift. Some shows play less with these aspects and some more, but when you think about a Magical Girl nowadays, chances are she wields weapons and has a heavy purpose. When speaking of shows that take more, especially from Madoka, though, you’ve got Yuki Yuna is a Hero.

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Kyuubey, I’ve Come to Bargain – Madoka Magica Spoiler Review

Last time when talking about Sailor Moon, I mentioned that there was another show that had to be addressed when it came to studying the growth and evolution of the Magical Girl genre. There are plenty of other big, famous landmarks in the genre, like Lyrical Nanoha or Pretty Cure, but the game-changing elephant in the room is Madoka Magica.

In some senses, it feels almost perfunctory to talk about Madoka, the same way it did to discuss Neon Genesis Evangelion. But as with Neon Genesis Evangelion, I need to establish a baseline to talk about other works, both the two remaining in the Magical Girl May series this year (yes, I’m actually going one week into June) and any other post-Madoka Magical Girl show I may choose to review in the future. So, let’s dig right in.

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Magical Girl Goes Action – Sailor Moon Crystal Spoiler Review

It’s impossible to talk about the history of the Magical Girl genre without talking about two shows in particular. One of those two (we’ll get to the other later) is Sailor Moon. The original series is notorious for two things. One is, allegedly, having a truly awe-inspiring sum of filler, both in terms of filler episodes and repeated battle and of course Transformation animations. The other is for transforming the nature of the Magical Girl genre by taking it from a branch of Adventure or even Slice of Life to one of action, blending the preexisting magical girl themes with those of transforming heroes and fighting hero teams. While Cardcaptor Sakura doesn’t show those influences, at least too much, every other Magical Girl show I’ll be reviewing this month has clearly felt, however distantly, the impact that Sailor Moon had.

The astute reader may note, though, that the title of this review does not simply say “Sailor Moon”. There’s a reason for that. I didn’t watch Sailor Moon when it was first coming out in the states, and hadn’t sought it out as part of my early years as an invested anime viewer. Rather, I knew it by reputation and knew that I had to look into it to really understand the Magical Girl genre. The thing is, the classic Sailor Moon had a five-year run and a grand total of two hundred episodes. I could have tried to cover the first season or arc, I suppose, but instead my research into the genre directed me towards a remake called Sailor Moon Crystal.

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