An American Writer's Thoughts on Japanese Animation

Seasonal Selection – Ex-Arm Episode 5

It was bad enough that the animation, slowly improving though it is, should never have made it to the screen. Up until now, that was the worst thing; the rest of the show had been… lame at worst. Mostly serviceable when you take the art of cinema out of the equation. Now? It’s still the worst, but the writing isn’t doing it any favors. Reaction video and more after the cut.

So, the basic summary of this episode: we start in high school, like it’s that one section of the last episode of Evangelion. Eventually we learn that the entire high school anime experience with all the cops from the future (cute police girl as the childhood friend, Alma the mysterious transfer student, and so on) is a simulation based on our main character’s memories, which they’re using to somehow get to the important bits. It doesn’t make a lot of sense and is shortly irrelevant because something goes wrong and everyone still logged in is trapped until our main character snaps out of it and remembers where and what he really is.

They try to scheme a few ways to make him face reality. First, they have him encounter an accident like the one that got him in life, having noticed there aren’t normally vehicles on the road in his world, but Truck-san flickers out of existence before he can see it. We’re let in on the existence of a crazy-eyed pink haired girl who’s said to be Ygg, the AI of the supercomputer Yggdrasil, and likely responsible for the mess. The characters are then confused and surprised that something like Ygg exists in later scenes as she talks with the main character and interrupts a plan to jar him out of memory-land with a novel experience, something he’d have no information on in his brain. (Of course, the one they pick is kissing a girl, which police girl is put up to, only to be interrupted by Ygg rendering the boy unconscious, acting weirdly romantically clingy, and teleporting everyone away to fight werewolf monsters that are like RWBY’s Beowolves, but overwhelmingly lame.

Through some really bad action sequences and a visit from the ghost of big brother (to Police Girl, no less, which she doesn’t question) MC get’s woken up, and on the way remembers the existence of the dark claw-armed version of his human self, which is apparently called Beta. The police crew reacts like they knew who Beta was but not that he was involved in 2020.

Meanwhile, out at see, a skull-faced figure with the same Ex-Arm device as Beta (so presumably Beta, now with Skeletor’s head instead of the main character’s) tests out his void-rift-causing power while the main character vows to himself to defeat Beta. What is Beta really? What are its motivations? Not explained, and never will be if the next episode connects to this one as ‘well’ as this one did to the last.

All in all, it’s a mess. The animation may be getting “better” in some ways, like the motions of the characters (ESPECIALLY in their faces) becoming faintly more natural, but in the saga of a kid playing with animation software without reading the manual, every new discovery they make seems to be accompanied by flagrant misuse, this time of after-images and “creative” transition effects. And the writing for this episode is horrible. It’s next to impossible to make heads or tails of who knows what and who wants what throughout the episode, and they even seem to contradict themselves on that at times, like about Ygg.

If there’s any consolation, it’s that the voice actors are on point, particularly Police Girl managing to give an impassioned “You’re a human and our friend and comrade so I care about you” speech that actually shines through as believable despite the horrid animation. I really feel sorry for that actress (and the other voices who worked on this show) being attached to Ex-Arm of all things. Somebody had to voice these lines, but no one deserved to.