An American Writer's Thoughts on Japanese Animation

Seasonal Selection – 86 Episode 1

So, this season we’ll be taking an episode-by-episode look at 86. Because this choice was kind of last-minute, it’s not really a show I’ve researched or know anything about, going in totally sight unseen. And from the first episode, this is actually looking fairly interesting.

The general pitch seems to be that our main society is in a dystopian future where it’s believed that their current war is fought entirely by automated drone weapons, meaning that there are no human casualties. However, the “Processors” of those drones are actually people who drive them, ‘undesirables’ that the military handlers consider to be not human, known as the 86. Our main character is a major in the army and acts as one of the handlers of the 86, but she’s not on board with her culture’s dismissal of their humanity. She does their job, but considers the humans under her command to be humans under her command, much to the chagrin of her friends and superior officers.

Through the Major, we get to see a lot of the dystopia she lives in. It looks nice, with shiny clean lines and plenty of tech, but in addition to the great lie about the war, we get some more subtle notes. For one, everyone in the “First district” that seems to be the national core has the exact same phenotype, to the point where it looks very eerie in crowd shots to see so much silver hair running around, suggesting that there’s something going on with genetics. And when the Major checks in with a scientist friend, said friend is able to get shock and temptation at the suggestion that she made a cake with REAL eggs and REAL milk, suggesting that artificiality and scarcity are everywhere.

Along the way, the Major also does her job, connecting with the soldiers in the field and trying to both preserve them and complete the mission. However, she’s called in to be reassigned to a particularly important squad. On one hand it’s a high-prestige posting offered by her uncle… but on the other hand this particular command seems ‘cursed’, with many prior handlers having resigned more or less forcefully and even a case of suicide, with the handler insisting they couldn’t stop hearing the voices of the dead. Part of this might be related to the tech that allows home to link up with and command the squads in the field, which synchronizes the sense of hearing between handlers and processors.

The Major has some weird experiences of her own with her old squad, and off-hours decides to introduce herself to the new.

We then cut to them. The 86 squad, in the field, leaves a very different life. Other than the war element it seems actually not that bad. They go about their life on base in a sort of rustic and homey way, making a nice group meal with some sly focus on the fact that they’ve got chickens for plentiful eggs, contrasting their existence with the sterile one of the home nation. We see a couple of them with designs that indicate they’re probably going to be relevant characters, and the brooding leader of the lot, Shin, who goes by the call-sign of Undertaker. They brag about how their last handler broke, and wonder when the next ‘white pig’ is going to show up. Sure enough, late onto evening, the Major’s call comes in, and after she introduces herself the episode cuts.

One thing I noticed about this episode is that it is absolutely loaded. It honestly felt like we got two episodes of material and character in here, and yet at the same time it didn’t feel rushed. This is about the opposite of what I experienced with Tower of God, where the episodes felt like they were over in a flash. I think what really did it was the time dedicated to quietly getting the audience a feel for this world. These scenes don’t actually take much time, but they fully hold interest in a way that means they feel like time is passing both in the show and in real life. Because of that, if it’s consistent, they’ll probably be able to get an ‘epic’ feel out of the show in general. Either way, I’m really looking forward to more.