An American Writer's Thoughts on Japanese Animation

Seal of Disapproval – Taboo Tattoo Spoiler Review

Well, it’s the end of another year. Winter holidays have come and gone and we’re now in that awkward holding pattern of waiting for 2025 to die so we can get on with seeing just what woes 2026 will have in store. Well, I can’t think of a better way to pass the post-solstice depression times than by sitting down with an anime everyone tells me I’ll regret watching and giving it a review.

okay, actually I can think of many better ways to pass the time, and I write these dang things ahead anyway, but it’s Taboo Tattoo time anyway.

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Let’s Do The Kaiju Time Warp – Godzilla: Singular Point Spoiler Review

Have I mentioned that I love Godzilla? I didn’t just watch a couple Godzilla movies when I was a kid, I watched all of them – then the entirety of the Showa and Heisei series, as well as the TriStar version that we’d be better off forgetting. While I may not be 100% any more on the Millennium and MonsterVerse outings, I still have a deep affection for the character, and that whether in more dark and dramatic outings (like the original known as “King of the Monsters” in its American recut, Shin Godzilla, or the recognition-earning Minus One) or whether it’s in pure Tokusatsu cheese (like Destroy All Monsters or Godzilla vs. Mothra). I even have some affection for the really campy stuff like Godzilla vs. Megalon.

So, suffice to say, with my affection for the big screen outings whether suitmation or CGI, I was pretty excited to see the King of the Monsters getting a fresh animated series outing. And I do mean a fresh one – for those who don’t know, there were two older American animated versions, a Hanna-Barbera version from the late 70’s and one from the late 90’s that tried its best to redeem the TriStar continuity. But we’re not here today for Godzooky or ‘Zilla (nor the late 2010s animated films, which are “maybe some day” fare for this blog), we’re here for what was pitched as a new, original take on the classic Kaiju in Godzilla: Singular Point.

I will try to stamp down my fanboy urges as we go through this one, but I can’t promise that I’ll never slip.

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Sky Fairy Dormitory – WorldEnd: What are You Doing at the End of the World? Are You Busy? Will You Save Us? Spoiler Review

WorldEnd (I am not typing out that whole title every time) is a post-apocalyptic tale that’s pitched to be a little more… complete than most, starring as it does Willem Kmetsch, said in this setting to be the last surviving human. The grim oppression of such a scenario, as would be familiar to the likes of Girls’ Last Tour or a few downer endings, is defused significantly by the setting and supporting cast.

For one, while humans are basically extinct, civilization endures with other humanoid races on a series of islands floating in the sky – mostly animal people as we see when Willem intercepts a mysterious blue-haired girl and shows her around for a day, hats required to hide that they don’t have horns or anything.

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Crash & Burn – The Magnificent Kotobuki Spoiler Review

What is The Magnificent Kotobuki?

It’s a show I don’t think many people of heard of. Heck, this is my job and it managed to fly under my radar until now, no pun intended. It’s an anime original, which is usually interesting, a sort of Aeronautical/Flying Ace themed variant on the Western, what with the show starting in the spitting image of an old-timey saloon.

In its pitch, it promises a sort of military action adventure. In its style, it promises a sort of “cute girls doing cute things” overtone and we can just all hope that it pans out more like High School Fleet than the Mecha Musume shows.

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I Dream of Demons – Dream Eater Merry Spoiler Review

Dream Eater Merry is… actually hard to put in a nutshell. It came out in 2011, based on a manga that ran from 2008 all the way to 2020 (so naturally the one season we have will not be covering the whole thing). Its style and aesthetic feels as though it’s in a transitional phase between the heavier shadows of the early 2000’s and the bright colors and high white saturation you’d tend to see later in the 2010’s.

As to its concept, like many good concepts it’s at once wildly original and done to death overdone. On one side, we get the “monster who fights monsters”, and to extent the backbone of the masquerade supernatural battler, the sort of thing that was around long before Shakugan no Shana but that Shana made really popular. On the other hand, dealing with exiles from the world of dreams as they intrude upon, practically invade the physical world, overtaking humans as they do? I have to admit, I haven’t heard that exact pitch before.

Which is kind of interesting. Dreams are a funny thing – though we can put high confidence on the idea that they’re just processions of junk data before the mind’s eye, we can’t really prove or in fact explain much about them, and not for lack of trying. The idea that the sleeping mind connects to something real and beyond common human experience, as well as a mystical significance to dreams, is as old as dirt. The idea of something from the other side bodily crossing over to cause trouble isn’t exactly novel either, but making that the backbone of an action-adventure story? It’s a different sort of action-adventure story.

Let’s not waste any more time, and dig in to Dream Eater Merry.

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