An American Writer's Thoughts on Japanese Animation

World of Mehcraft – Death March to the Parallel World Rhapsody Spoiler Review

Into every anime viewer’s life, a little Isekai must fall. Wait, no it doesn’t. You can leave. Turn your back on today’s schlock and watch whatever you want! Or you can go all in, I’m not your mom. What I am is a reviewer, and into every reviewer’s life a little Isekai must fall. My conceptual umbrella has gone unused for far too long, so today we’re going to look at Death March to the Parallel World Rhapsody.

I’m not going to ask for much, I just hope to Haruhi it’s better than Smartphone.

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The Brilliant Detective in the world of the Id – ID:Invaded Spoiler Review

Normally, I try to have quite the preamble to these reviews, but this time I’m going to keep it short: ID:Invaded is a mystery taking place where it’s possible to use technology to dive into the subconscious of a serial killer in order to find clues about their identity or whereabouts. The rub is that those doing the dive do so as amnesiacs, taking up the role of brilliant detectives per fiction… and also, that they must be killers themselves to even try.

But you won’t know most of this, or really any of it, as the show starts.

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Press F to Pretend to Emote – Magatsu Wahrheit: Zuerst Spoiler Review

Why do video game animes suck?

I know that’s something of a loaded question in that it presupposes the suckage, but the evidence seems to bear that out. Not counting outings that primarily have Visual Novel DNA (that’s more of its own thing, and has led to some outright great shows), I’ve reviewed a fair number of based-on-a-game or Game Tie-In shows, and there’s only one outlier I recall that scored higher than mediocrity.

To me, it’s a baffling question as to why this seems impossible to get right. At first the hypothesis that taking away interactivity and control from an interactive medium would do it seems promising, but between the Let’s Play phenomenon and the fact that video games are a legitimate storytelling medium with many examples of powerful or emotionally effective writing over their history, that can’t seem to be the case.

We should be able to get not just acceptable but awesome game-based animes. Unlike the world of film, the twelve (or more) episode format lends itself to the long running nature of many classic and effective games, and animation can replicate the wonder and style of fantastical worlds without bringing a major studio to its knees. But whether it’s common production issues or some nasty factor lurking beneath the surface, it seems as though we’re doomed to get failed outing after failed outing.

So, without any further adieu let’s at least dissect MMO tie-in Magatsu Wahrheit: Zuerst and see what’s wrong with this one.

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And Now For Something Mostly Different – “Oshi no Ko” Spoiler Review (Season 1)

Part of why I run this blog is to address and highlight different shows. Shows that may have been forgotten. I don’t like jumping on the bandwagon of the latest and greatest thing. Even my seasonal write-ups, which might hit popular recent entries, I do more as reactions than as proper reviews, because I think for a fair review you usually need at least a reasonably complete bit of material and a chance to really process it.

Even when I go after big names and landmark classics, I try to make sure I have something at least a little original to say about them. I may not always succeed, but if there’s something that everyone has seen and everyone has written about, what’s the point of me throwing one more identical review on the pile? Well, completeness and the ability to refer to it at later dates can factor in, but that’s not the case this time.

When I decided to do a review of Oshi no Ko (I will dispense with the quotes), I didn’t have that point lined up… because I hadn’t yet watched Oshi no Ko. To be sure, I was aware of it as it was coming out, since that was only last year. With a sterling reputation and a second season that will start airing between me writing this and this going live, it would be weirder – positively unnatural – if I hadn’t heard of Oshi no Ko. But I hadn’t watched it, and I hadn’t really followed it or indulged spoilers either. I knew in a vague sense that it was a drama – not so much a comedy – based on a manga by the same author as Kaguya-sama: Love is War and that it “got” a lot of folks with some sort of twist deployed early, but not what that might have been. I was prepared to look at it sight unseen to attempt to answer the question: Was it really as good as the hype?

Typically when I’ve asked that question before, it’s been with shows that have been overhyped beyond madness, but oddly enough I didn’t feel that way about Oshi no Ko. It was an award winner, that much was certain, which carries with it a certain weight, but while it was broadly beloved it didn’t seem to have the cultish following certain other shows acquired. I don’t know if I just didn’t travel in the right circles for that, but the bar of public opinion, which I am set to either support or stand against, is still a mortal level of quality.

The task set, let us begin.

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Anime Expo 2024 Day 1 — Selected Previews

Sometimes an anime reviewer goes to an anime con.  At those times, it seems prudent to report on some of what was seen.  Today, I have impressions of Guilty Gear Strive: Dual Rulers, Shoshimin: How to Become Ordinary, Witch Hat Atelier, and The Magical Girl and the Evil Lieutenant Used to be Archenemies, based on their panels.

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